ESTAMOS SUCIOS.
LOS PIOJOS NOS ROEN.
LOS CERDOS VOMITAN AL MIRARNOS.
Exhibitions
I hear, in the distance, prolonged screams of the most piercing pain.
An exhibition that explores the sensitive and symbolic forms of Evil through painting, photography, and video. Based on a dark reinterpretation of the life of Christ, the work unfolds a personal mythology where guilt, desire, despair, and violence collide. Amidst spectral figures, thorns, and empty whirlpools that observe, the viewer is confronted with an uncomfortable gaze: that of unremitting pain, that of indwelling Evil.
The children chase her with stones, as if she were a blackbird.
Inspired by Canto III of The Songs of Maldoror, this exhibition inaugurates a personal vision of Evil as a foundational wound. Through a series of images that illustrate—but also reinvent—Ducasse's disturbing narrative, the germ of a symbolic attack against humanity unfolds. It is the beginning of an intimate revolt, where the persecuted figure transforms into a threat. This work functions as a prologue to I Hear, in the Distance, Prolonged Screams of the Most Piercing Pain, delving into the fall, the rage, and the birth of a dark creature that no longer flees, but observes.
I sing to the flowers.
The first sprout of a deeper restlessness, Song to the Flowers is a visual homage to the cursed poets, to those perverse and delicate flowers that sprout from the mud with poisonous beauty. Inspired by Baudelaire and his vision of Evil as seduction and contradiction, this series marks the beginning of an aesthetic exploration that becomes increasingly dark and challenging. Here, Evil is not represented, it is suggested: it blooms among morbid petals, dense aromas, and disturbing atmospheres. It is the lyrical prelude that precedes the storm: before the scream, the perfume.